Task 1: Learning about the Arthrometric model was interesting for me, I tended to notice what movement was coming from my hips and shoulders in the central zone. When running around the room, I was practising articulating my feet (using my metatarsals, hinge joint) and the gliding joints in my feet. I find that knowing the terminology for different parts of your body helps to image them when moving. I didn't fully know what to notice or understand the purpose. Learning about the radial symmetry was informative, ie; elbows and knees are biaxial, cannot alter direction but can offer full range in movement, and the joints from the knees to the ankles are triaxial, as are joints from elbow to hand. It's quite complicated and would take a few physical exercises of exploration, to fully grasp . The Arthrometric Model Source: Andrea Olsen - Body Stories Task 2: It was interesting to learn about the ribs because I didn't know much about the anatomy of how the rib...
Following a while back with my stimulus I had for that 'transformation' tree I liked so much in a performance I saw, I've decided to use it as the theme for my piece, the theme of 'transformation', that's what I've named it. I've also used it to have as scenery. I originally thought I want my piece to be site specific in a woodland area surrounded by trees and leaves on the floor, but then I thought how interesting it would be to bring that to the stage, and make it so it's deliberately fake with cut out shaped trees and leaves on the ground, quite an abstract effect. In the studio today I worked on a sequence of moves I could potentially put in for my project. It's the technique that Glenn showed us in one IPP1 class. To think of some adjectives and make it into one continuing static phrase. I want to put some of these moves of these vids to my dance piece of 'Transformation' somewhere. I'm also debating whether to say the words ...
The Trickster The Child The Innocent The Mother The Hero The Old The Whore - to name a few! These are all examples of sterotypical characters that are easily accessible to portray in theatre. This is easily acheived through playing around with undulations. Undulation is: bending knees, slumping your body over, pushing your pelvis out and returning upright to lean back into your hip joints. In each of these positions a character can be born, for example: in the bending knees and slumped over form, its easy to play 'The Old'. The same for 'The Mother' leaning back can portray pregnancy, and theres so many more. If you lead with your head, you can play 'The Hero', strong and willful. If you lead with your nose, you could play 'The Geek' or even 'The Nosey'. So many possibilities evolve just from playing around with physicality, and which part of the body to lead with. This technique was used as a form of 'Commedia Del Arte...
Comments
Post a Comment